Bobby Rydell is a renowned American singer and actor who had a significant impact on the music industry during the 1960s. Born on April 26, 1942, in Philadelphia, Pennsylvania, Rydell rose to fame with his smooth vocals and charismatic stage presence. Rydell's career took off in the late 1950s when he released his first hit single, "Kissin' Time," at the age of 17. This song became a nationwide sensation and catapulted him into the spotlight. He continued to release chart-topping hits such as "Wild One" and "Volare," which further established him as a teen idol. During the early 1960s, Rydell's popularity skyrocketed, and he became one of the most recognized faces in the music industry.
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Dionne Warwick, Stevie Wonder, Elizabeth Taylor, Gladys Knight, Burt Bacharach and Carole Bayer Sager at a performance of the song That s What Friends Are For on the television show Solid Gold in Los Angeles, USA, 1986. Dionne Warwick, Stevie Wonder, Elizabeth Taylor, Gladys Knight, Burt Bacharach and Carole Bayer Sager at a performance of the song That s What Friends Are For on the television show Solid Gold in Los Angeles, USA, 1986.
During the early 1960s, Rydell's popularity skyrocketed, and he became one of the most recognized faces in the music industry. He appeared on popular television shows like "American Bandstand" and "The Ed Sullivan Show," captivating audiences with his energetic performances and catchy tunes. In addition to his successful music career, Rydell also ventured into acting.
Burt Bacharach's Magic Moments: How legendary composer furnished Aretha Franklin, Dionne Warwick and Tom Jones with unforgettable songs
Not many composers can say they've worked with Aretha Franklin, Tom Jones, Dionn Warwick and Nat King Cole. But these are just a handful of the more than 1,200 artists Burt Bacharach composed for during his illustrious career, which spanned nearly seven decades and produced more than 500 songs. Bacharach - whose hits include Franklin's Say a Little Prayer, BJ Thomas' Raindrops Keep Falling on my Head and Jones' What's New, Pussycat? - died aged 94 in his LA home. The son of a famous newspaper columnist, Bacharach's interest in music was sparked in his teenage years when he would sneak into Jazz clubs in New York underage. Since then, his songs have been covered by all manner of superstars, ranging from Elvis Presley and the Beatles to Frank Sinatra and Cyndi Lauper. Here Dailymail.com takes a look back at his most unforgettable collaborations in pictures.
Bacharach's career breakthrough came in 1957 when he met lyricist Hal David, right, in New York. Together, they composed Aretha Franklin's I Say a Little Prayer, Tom Jones' What’s New Pussycat?, Dusty Springfield's The Look of Love, The Walker Brothers' Make It Easy on Yourself by the Walker Brothers, and many others. David died in 2012
In 1962 Bacharach, with David, started producing music for Dionne Warwick whom he met during a recording session. Some 39 of Warwick's hits were written by David and Bacharach. However, the pair later fell out and Warwick sued Bacharach after he parted ways with David as it left her without material. In 1985 the duo reconciled for the Aids charity single That's what Friends Are For
Dionne Warwick, Stevie Wonder, Elizabeth Taylor, Gladys Knight, Burt Bacharach and Carole Bayer Sager at a performance of the song 'That's What Friends Are For' on the television show 'Solid Gold' in Los Angeles, USA, 1986. The song was recorded in 1982 by Rod Steward for the soundtrack of the film Night Shift. But the 1985 cover by Warwick, Knight, Wonder and Elton John is better known. It raised more than $3 million for AIDS research.
Bacharach famously wrote I Say A Little Prayer by Aretha Franklin, bottom right, in 1967. The track was originally intended for Warwick but after several failed attempts to record it she rejected the tune, claiming it felt 'rushed.' Bacharach and Franklin are pictured together in 1997
The legendary composer is pictured with Dusty Springfield, left, for whom he wrote the 1967 hit The Look of Love. In 2008, it was welcomed into the Grammy Hall of Fame. It received a Best Song nomination for the 1968 Academy Awards after it was featured in the film Casino Royale in 1967
The composer is pictured with singer Neil Diamond in May 1984. Bacharach wrote 'Heartlight' for Diamond along with Bayer Sager. It is the first track on Diamond's 1982 album, also titled Heartlight, and reached number five on the Billboard Hot 100. The song was reportedly inspired by the 1982 film E.T. the Extra-Terrestrial
Bacharach and Springfield are pictured together with French singer Mireille Mathieu for 'Another Evening with Burt Bacharach'. Bacharach's music earned him six Grammy Awards and three Academy Awards. He wrote 73 US and 52 UK Top 40 hits
From left to right: Dionne Warwick, Burt Bacharach, Carole Bayer Sager and Luther Van Dross. Bayer Sager and Bacharach married in 1982 and also became successful collaborators as she wrote lyrics for his new songs performed by Neil Diamond, Roberta Flack and Christopher Cross
Bacharach collaborated with Elvis Costello, right, for the 1998 album Painted From Memory. The album featured the Grammy award-winning song 'I still have that other girl'
The late star performed on stage with Adele at a 2008 BBC Electric Proms Series at the Roundhouse in London, UK. Together they performed Bacharach's song Baby It's You which was recorded by the Shirelles and the Beatles. But the highest charting version of the song was by the band Smith which took it to number five in the US charts in 1969
Burt Bacharach and Never Gonna Give You Up singer Rick Astley are pictured in concert at London Palladium, Britain on June 25, 2016. Astley covered Bacharach's 1962 hit Make It Easy on Yourself, originally written for Jerry Butler. Astley has paid tribute to Bacharach, tweeting: 'We use the term ‘Legend’ too often but in the case of Burt Bacharach it’s the only word that fits. RIP Burt, your gorgeous music will live on forever'
CD1:
1. Jackie DeShannon - What The World Needs Now Is Love
2. The Carpenters - (They Long To Be) Close To You
3. BJ Thomas - Raindrops Keep Fallin' On My Head
4. Nancy Wilson - Reach Out For Me
5. The Shirelles - Baby It's You
6. Dionne Warwick - Walk On By
7. Dusty Springfield - The Look Of Love
8. Tommy Hunt - I Just Don't Know What To Do With Myself
9. Doris Day - Send Me No Flowers
10. Frankie Avalon - Gotta Get A Girl
11. Jack Jones - Wives And Lovers
12. Cilla Black - Alfie
13. Herb Alpert - This Guy's In Love With You
14. Tom Jones - Promise Her Anything
15. Cliff Richard It's Wonderful To Be Young - Alternate Take
16. Gene Vincent - Crazy Times
17. Charlie Gracie - I Looked For You
18. The Five Blobs - The Blob
19. Jackie DeShannon - So Long Johnny
20. Shirley Bassey - A House Is Not A Home
21. Burt Bacharach - Nikki
22. Andy Williams - Don't You Believe It
23. Jimmy Radcliff - (There Goes) The Forgotten Man
24. Billy J Kramer - Trains And Boats And Planes
25. Herb Alpert - Casino Royale
26. Dionne Warwick - Anyone Who Had A Heart
27. Bobbie Gentry - The Windows of the World
28. Nat King Cole - Once In A Blue Moon - Instrumental
He starred in several films, including "Bye Bye Birdie" alongside Ann-Margret and Dick Van Dyke. His acting skills were well-received, and he quickly became a sought-after entertainer in both the music and film industries. However, despite his success, Rydell faced personal struggles and setbacks. Like many artists of his time, he battled with substance abuse, particularly alcohol addiction. Despite these challenges, Rydell managed to maintain a loyal fan base and continued to perform and record music throughout the years. Today, Bobby Rydell is considered an iconic figure from the era of rock and roll. His soulful voice, combined with his infectious charm, made him a beloved figure in the hearts of many fans. Although he may be remembered primarily for his music, Rydell's contributions to the entertainment industry extend beyond singing and acting. He influenced an entire generation and left a lasting legacy in the world of entertainment. In conclusion, Bobby Rydell's impact on the music industry during the 1960s cannot be underestimated. His talent, charisma, and dedication to his craft made him one of the most celebrated entertainers of his time. Despite facing personal challenges, Rydell's contributions to music and film continue to resonate with audiences today..
Reviews for "Remembering the Legends: Bobby Rydell and the Icons of the '60s Music Scene"
1. Julia - 2 stars - I went into "That old black magic Bobby Rydell" expecting a fun and entertaining experience, but I was sorely disappointed. The story felt disjointed and lacked any clear direction. The characters were flat and uninteresting, making it difficult to connect with them. Additionally, the pacing was incredibly slow, and I found myself losing interest halfway through. Overall, the execution of this play was subpar, and I wouldn't recommend it to others looking for a captivating theatre experience.
2. Brian - 1 star - "That old black magic Bobby Rydell" was a complete waste of time and money. The plot was confusing and lacked depth, leaving me feeling unsatisfied and unengaged. The performances were mediocre at best, with most of the actors appearing uninspired and unenthusiastic. The set design was also lackluster, failing to create a visually appealing atmosphere. Overall, this play failed to meet even the lowest expectations, and I regretted attending from start to finish.
3. Emma - 2 stars - I had heard some positive reviews about "That old black magic Bobby Rydell," so I decided to give it a chance. However, I found myself struggling to stay interested throughout the performance. The dialogue was unimaginative and filled with clichés, making it difficult to connect with the characters or become invested in their stories. The pacing was inconsistent, with some scenes dragging on unnecessarily while others felt rushed. The production as a whole felt unpolished and lacking in creativity. I left the theater feeling underwhelmed and wishing I had chosen a different play to attend.
4. Michael - 2 stars - "That old black magic Bobby Rydell" had some potential, but it failed to live up to expectations. The actors seemed miscast and lacked chemistry, resulting in performances that felt forced and awkward. The plot meandered aimlessly, leaving me confused about the underlying message of the play. The script itself was weak, with uninteresting dialogue and one-dimensional characters. Despite its promising premise, "That old black magic Bobby Rydell" ultimately fell flat and failed to leave a lasting impression.